Survivors

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Michel (aka Canadamike), someone I know from the HG Discussion forum and who lives in Ontario, recently posted this picture of his potatoes (reproduced here with his permission).

Late blight just struck his garden, suddenly killing most of his potatoes and tomatoes.  This is of course the bad news, and until you’ve experienced it yourself in your own garden, you’ll never understand what a devistating feeling it is to have this happen.

But look at this row of potatoes!

Blighted potatoes to the left and right, but these are just blooming away as if nothing was happening!  What a sight to see!  These are a line of blight resistant potatoes bred by Tom Wagner.

Oxford 2009 — Costs and Discounts

Recently someone mentioned that they felt the costs of £15 per person would be too high for some people, and I would like to get everyone’s opinion on this.  It’s been suggested I offer a lower concessionary rate.

Is £15 too high for you?  Are you unable to attend because of this, or is it even a small problem to pay this much money?  Even if you are happy paying this, do you think it might be too high for other people?  Does anyone feel we would attract more people if I offered a lower rate?

I basically have no profit goals in this meeting, nor did I have any last year.  In particular, I am one person with just a personal bank account, not any kind of registered organization.  I’m not eager to be seen by tax authorities as making a profit, and since I have no idea what will happen next year I don’t want to keep anyone’s money for a next event that might not even happen.

I also expect, like everyone else attending, to pay my own costs, including transportation and entrance fee.

At the same time, I’m not really eager to put a lot of my own money into this, and I hope to roughly break even.  This is about where we stand at the moment financially.  This was my goal last year too.  If significantly more or fewer people come this could change, but it’s how things look now.  Honestly, as much as anything, this is to ensure these meetings can continue in the future if we choose, because if I have to put a lot of my own money into them I’ll be less likely to want to organize them.

Given everything I’ve said here, I can’t really afford to offer a reduction in the entrance fee a lot of people would want to take advantage of, and instead what I’ve focused on is keeping everything as cheap as I could for everyone.

If you look at what’s being asked for Tom Wagner’s workshops elsewhere in Europe, they are mostly all considerably more expensive, and I’m under a little pressure in this way to try to raise more money in order to help fund Tom’s breeding and touring efforts.  I feel pretty strongly however, that if I did ask more than £15, some people would really be unable to come and this would significantly change the nature of our meetings, making them much more elite.

Besides making general comments here or in email, please feel free to contact me about your personal situation.  If you would like a reduction or would like to attend for free, I’d be glad to hear this and will try to work something out.  Likewise, if you would like to make a donation towards paying other people’s costs or to help Tom’s breeding efforts, please let me know this too.

Sunscald

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In the past I’ve noticed occasional sunscald on my tomatoes.  I don’t have a good picture of this right now, but you can see the parts of the fruit exposed to the sun get a little discolored, but usually not so badly it can’t be cut off before eating.

This year was really something else!  The fruit of most tomatoes grown in a very sunny spot got sun scald, and I also noticed it on the leaves of my plants.  I guess in past years I’ve seen it on my plants too, but I didn’t really realize what it was, and it was never too serious.  This year sunscald has been killing some of my tomatoes.

The picture above you can see a particularly bad case, with the leaves turning a purplish color with exposed veins, and the leaves dying on the edges.

Plants in partial shade are less affected, but of course are maturing more slowly with less light.

Is this just a result of our deteriorating ozone layer?  Was this particularly bad over northern Europe this year?  Did anyone else notice this?

What about solutions?  I remember seeing Mike on PlanBe blog in SA mention he has this problem as uses 10% shade cloth.  I don’t particularly know where to buy this, or have any experiences with it.  Does anyone have an opinion on this?

I asked Lieven, in Belgium, if he had noticed anything this year.  He said his greenhouse glass is partly opaqued, and therfore the light is dispersed so he never has this problem.  Does anyone have any experiences with this in a greenhouse?

In the meantime, with blight outbreaks in the eastern US, as well as neighboring countries here, there’s no sign of blight on my plants…  I hope some of them survive to get blight!

I should add the sun seemed brighter than usual this year, and I had to limit time in the garden because of it’s strength.

Painted Hills Sweet Corn

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This was one of my most anticipated harvests of the season, my Painted Hills Sweet corn.  There is a well known variety of starch corn called Painted Mountain, a genepool mix of a number of different colored heirloom varieties.  This was a cross between that variety and Luther Hills Sweet Corn.  The seed for this came from Peace Seedlings, the seed company belonging to the daughter of Alan Kapuler, who was the breeder of this variety.

Watching the plants grow was a blast!  All different colors; stalks, silk, ears and of course the kernels.  It was like a fantasy land crop, almost too colorful to believe it was real.  You can see a lot of the colors in the picture above.

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With all the excitement came some disappointments too.  First I had damping off problems when starting the seeds indoors and lost more than half my seedlings.  Okay, damping off problems were probably my fault for not keeping things clean enough, but I did try to keep things clean and didn’t have any damping off problems with any other seeds.

Then when I put them out in the garden, a number of them were too weak to survive.  Again, this could be partly my fault, and perhaps I could have let them get bigger before setting them out or maybe I could have waited for the soil to warm up a little more.

Then there was a lot of variability in the remaining plants, and it’s clear the genetics were not completely there for my climate.  Really, they didn’t grow well at all.  I struggled to get a decent harvest, and it’s mostly what you see in the picture above (starting with 125 seeds).  I might get a few more ears in a few weeks time.  I had a hard time telling when it was mature enough to harvest, because the ears were small and underdeveloped so I kept thinking I should give it more time.

The taste?

I had high expectations.  I had very, very high expectations, and they simply weren’t met.  I ate it about an hour after harvest, so it was very fresh, but it was not at all sweet.  I understand heirloom sweet corn is not as sweet as commercial varieties, but still this didn’t even have any hint of sweetness.  Mostly it was starchy and bland.  It was however very edible in it’s own way.

Was I disappointed?

Well, a little.  Like I said, I expected so much more.  At the same time, wow!  Multi-colored sweet corn!  Can you believe it?  A variation of the famous Painted Mountain corn!  Perfectly edible.  Truly a visual delight, if not a tasty one.  It’s clear it needs some breeding and selection work to make it suitable for my climate and to stabilize it, something I don’t have the space, isolation, expertise or time for right now.  If this is an early peek at the future of sweet corn, it’s exciting!  It needs some work, but this really has the potential to turn into a very interesting variety!

Will I Grow it Again?

Not anytime soon.  I’ve seen it and done it, and will look for something else next year.  Trying it was a great experience.